Fade Out was originally Loop's third issuance and emerged in 1989, returning the group to the murkier ambiances of its birth. Where The World in your Eyes had been documented much more traditionally, sloughing off much of the trademark fogs, clouds, swamp vapors, and Magellanic gulfs of Heaven's End, it was nonetheless quite compelling, more…scientific, if you will…but ultimately not the ensemble's true noise level. The blokes decided to remain in foursome mode for Fade Out, but second guitarist James Endeacott had exeunted, replaced by Scott Dawson. It was inevitable and earlier forecast in the soundscapes that Loop would start adopting raga modalities as well, and this occurs more than once, especially during A Vision Stain. They'd forever leaned in that direction, but, oh, that dogged English backbone! Now the destination was definedly attained, but in the usual slurred fashion, all praise to the dirty gods of the London cathedrals and sound mongers.
Some writer somewhere, a poor benighted soul trapped in a far more commercial venue than FAME, commented that trying to differentiate Loop releases is like trying to separate out AC/DC or Ramones albums, which is a pretty good way to put things in order. The bonus disc to Fade, though, goes way off the deep end in its final phase, presenting a set of guitar loops quite similar to some of Robert Fripp's Frippertronics by way of perhaps Steve Reich and early Michael Stearns. Should this render the Loop listener just a skosh too commodious, he or she can trip backwards to This is Where You End, and all will be set once again into the establishing landscape, rough, loud, and trippy while artfully tribal.
In fact, that cut hangs perfectly between the more studio-ized cleanliness of The World in your Eyes and this re-release's disc 1, the remastered original slab. Don't feel too surprised when that very factor prompts memory to envision a psychedelicized Rolling Stones jam track or even something next door to Derek & the Dominoes' freak-outs on their landmark LP's bonused re-release. In whole, though, Fade Out maintains Loop's famed grunge and Valhallic distortions, with lumbering squeeling guitars, phasing, recessed vocals, and general madness running across two discs.
Edited by: David N. Pyles
Copyright 2012, Peterborough Folk Music Society.
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