Not sure why everyone else is calling this one "blistering", 'cause it ain't (dang it, was I sent the press sheet for Cannibal Corpse again by accident?!?!), it's actually a really earthy swamp-dog CD of thick sludgy Southern rock redolent of plantations, turpentine, and hyacinth. In fact, the stand-out cut is the nakedly cool ballad Last Call, a smoothly raw country duet with Lillie Mae Rische that's gonna have the rednecks weepin' in their Jack Black sidecars, blubbering in their pitchers of beer, and kissin' on the womenfolk who'll likewise be sweeping back a tear or three.
That song, in fact, reveals the true bottom line of the rebellious Kenneth Brian, who's a Romantic at heart, and when you note the inclusion of Randall Bramblett and Bonnie Bramlett, you're going to get the right idea on where this cat hails from geographically and aesthetically. Blistering, my ass, the guy's solid son of the sod material. Yeah, Tonight We Ride gets nastily Crazy Horse-ish blended with Texas grit, while The Fall repeats the motif, but Brian's neither a headbanger nor a speed demon. He takes his time, and the emphasis is on indignation and outrage, not frantic note clustering.
There's nothing all that special here, although Brian pulls out some subtly unique guitar solos (a real cool oblique one in The Fall), just solid Southern 70s rockarollin' highly inflected by SouthWest country, the sort of stuff we saw a flowering of back when Capricorn and other labels were around with The Outlaws, Marshall Tucker, Stillwater, Lynyrd Skynrd, Black Oak Arkansas, Cottonwood, Madura, and a diverse bunch of others getting signed and granted airtime. Kenneth Brian looks like Levon Helm's brother, but The Band figures nowhere in his repertoire 'cause he took the heavier strains of rebellion and amped up.
Edited by: David N. Pyles
Copyright 2011, Peterborough Folk Music Society.
This review may be reprinted with prior permission and attribution.
Website design by David N. Pyles