Reviews of all kinds of music CDs. We're not purists here. http://acousticmusic.com/fame/reviews.htm http://www.acousticmusic.com/fame/p07757.htm Scott Martin's back and in as fine a form as ever, backed by a quintet of accompanists for a swingin' lively blow fest amid hip latin rhythms and general uptempo good times... http://www.acousticmusic.com/fame/p07742.htm It's kinda hard to argue with a guy who not only copped two Grammies but produced 50 #1 charting airplay hits -- yep, you read right: 50! -- but when guitarist Paul Brown says... http://www.acousticmusic.com/fame/p07741.htm It was with no small grin of coincidence that I found both Paul Brown's *The Funky Joint* and Chris Standring's *Electric Wonderland* in my mailbox on the exact same day... http://www.acousticmusic.com/fame/p07740.htm Russ Ferrante, who produced Hiroe Sekine's first CD, *A-Me*, was so impressed with what he heard of the rough-cut demos for *After the Rainfall* that he... http://www.acousticmusic.com/fame/p07754.htm Drowner is a proggy, drony, shimmery ensemble ringing out beautiful NuMusic with firm roots in celestialized chant and plainsong crafted through heavenly... http://www.acousticmusic.com/fame/p07692.htm If you haven't danced barefoot in the streets for a while, prepare yourself, 'cause this one's gonna remind you why you used to. Covering the joyous but obscure... http://www.acousticmusic.com/fame/p07724.htm Sarah Elgeti plays tenor and soprano saxes, flute, as well as a bit of percussion, and the first track on *Into the Open*, a song titled "Home", is so solidly and intelligently... http://www.acousticmusic.com/fame/p07687.htm Remember Spooky Tooth? Unless yer around my age, ya might not, but I distinctly recall walking into Crane's Records in Inglewood in '69, a hole in the wall that... http://www.acousticmusic.com/fame/p07694.htm When Jane Scheckter decided to gather up the standards, and a more recent track or two, for her fourth CD, she also took the time to stroll by a few of the best... http://www.acousticmusic.com/fame/p07693.htm The late 60s and then the 70s saw a ferment of experimentalism in fusion from both rock and jazz players, with generous elements of both sides slyly... http://www.acousticmusic.com/fame/reviews.htm Thousands of reviews of all sorts of folk and acoustic music CDs.